Emily Wyatt from Polydor Records came to talk to us about her job as well as the making and distribution of a music video. She was the commissioning editor for Polydor records which basically meant that she would supervise the making of a video and would choose and work closely with the directors that were producing the videos. Even though Emily was in charge of the production of the music video one thing that she didn't get to decided was the budget. She told us that with big artists for example Ellie Goulding the average budget was about £25,000 plus while unknown artists budget for a video was normally about £6,000. Since the budget isn't that big it would mean that either unknown or first time directors would take on the project and the video would be mostly performance based because it is cheaper, quicker and easier to pull off with a small budget.
She told us that when writing up the treatment she would normally keep it very brief because this is what is used to sell the concept of the video to the artists and they normally dot have very much time therefor the treatment is done with few words and a lot of pictures.
Emily said that the most important place of exhibition for the music video is online. For example they use VIVO to show their videos. This was they can target the people that they want to watch and monitor how many people watch the video, at what point they may switch it off and other music videos the people watched which can all help them while reproducing another video. Although what might be the most important aspect of exhibiting the video on YouTube is that if the video get alto of hit the song is going to encourage radio airplay which means more people becoming aware of the artist and new track.
A recent video that Emily told us she had done was Ellie Goulding's video Burn. They shot it in just one day on an airstrip.





